Sublime
An inspiration engine for ideas
“You have the whole history of all recorded music at your fingertips for no money, and that devalues music in general. It doesn’t properly express the work that goes into it, and it certainly doesn’t express how essential music is to the human experience.”
He conducts an ongoing interrogation about what it all means. What’s black culture? What’s hip-hop? What are the responsibilities of a society and the people in it? And his inquiry isn’t bloodlessly academic, either; there’s something very consequential about his approach.
Ahmir "Questlove" Thompson • Mo' Meta Blues: The World According to Questlove
Personal Machines and Portable Worlds - Christopher Butler ☼
chrbutler.com
I Am Going to Miss Pitchfork, but That’s Only Half the Problem
https://www.nytimes.com/by/ezra-kleinnytimes.com
There is an overload of music. 60,000 songs are uploaded to Spotify every day. Over 20% of those don’t get streamed even once. The ubiquitous access to almost every piece of recorded music in history has led to a paradox of choice, promoting passive and playlist-driven music consumption and creating winner-take-all effects for the biggest artists.