Sublime

Others, including Priestley and both Darwins, used their commonplace books as a repository for a vast miscellany of hunches.

In Darwin’s Dangerous Idea (1995), I argued that natural selection is an algorithmic process, a collection of sorting algorithms that are themselves composed of generate-and-test algorithms that exploit randomness (pseudo-randomness, chaos) in the generation phase, and some sort of mindless quality-control testing phase, with the winners advancing

Darwin’s notebooks lie at the tail end of a long and fruitful tradition that peaked in Enlightenment-era Europe, particularly in England: the practice of maintaining a “commonplace” book. Scholars, amateur scientists, aspiring men of letters—just about anyone with intellectual ambition in the seventeenth and eighteenth centuries was likely to keep

Evolution by natural selection is not itself a designed thing, an agent with purposes, but it acts as if it were (it occupies the role vacated by the Intelligent Designer): it is a set of processes that “find” and “track” reasons for things to be arranged one way rather than another. The chief difference between the reasons found by evolution and t

For them, the Haldane–Dawkins argument is valid: the world is stranger than they can conceive.