Sublime
An inspiration engine for ideas
like any good crisis point it forces Michael to confront his earlier actions.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
‘the morals of the
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
peripeteia in action.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Quite a strange man, thought James, watching him go – but what a relief to discover he still contained the capacity to be taken by surprise.
Sarah Perry • Enlightenment
this is drama; every action has a consequence.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Presenting himself was a rapscallion of the most exuberate sort.
Chuck Palahniuk • Make Something Up
In every scene, remember, a protagonist is presented with a mini crisis, and must make a choice as to how to surmount it. Meeting with a subversion of expectation – a blow to their established plans – a character must choose a new course of action. In doing so they reveal a little bit more of who they are.