Sublime

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HARRISON

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one final choice:

John Yorke • Into The Woods: How Stories Work and Why We Tell Them

Second Act

Henry Oliver • 1 highlight

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Roger Hallam

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it begins by showing us the result of the dramatic turn that came at the end of Act One.

Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot

a shot on you, kid.” Of all my “this

Griffin Dunne • The Friday Afternoon Club: A Family Memoir

Source: Variety

Why Aren’t FX Shows on FX? Basic Cable Is Dying, But Here’s a Fix for Its Branding Conundrum to Inject Some Personality in These Waning Days

In the

Robert Fritz • The Path of Least Resistance for Artists: The Structure and Spirit of the Creative Process

friend’s uncle had just been elected