Sublime
An inspiration engine for ideas
“Whatever you now find weird, ugly, uncomfortable, and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit — all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of... See more
🌀🗞 The FLUX Review, Ep. 149
Rip It Up and Start Again: Postpunk 1978-1984 by Simon Reynolds
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![Thumbnail of Rise of an Anti-Algorithm Music Counterculture [Mark Mulligan]](https://d1l054mla94ehg.cloudfront.net/media/images/thumbnails/curation/a6d0a540a3a44e19ac02d8a6b4501b52/thumbnail.webp?height=75&dpr=2)
“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of
... See more
Late 20th century media was a universe of legible, cohesive objects—films, books, shows, albums, people—which audiences largely experienced as complete entities, not necessarily due to anyone’s preference but because this was the most practical way to read them. Today’s media is a tangle of streams, flows, and feeds that mingle promiscuously and... See more
Drew Austin • Microdosing Life
All creative people have catalogs of work spread across various platforms, relying on their existence for our work to live on. Our creative output is only as safe as our interests align with these platforms, but data can disappear or become inaccessible after platform changes.
Context is also key. How can people... See more
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