Sublime

—The music was also particularly good in this film. Miyazaki: I had absolutely no involvement with the music at all. I even joked at one point that maybe we didn’t need any music in the film [laughs], but we couldn’t get away with that. So I left everything regarding music up to Takahata-san, because he knows much more about it. Jo Hisaishi had als

“Whew, you’re only sleeping for two hours?” But she would get up and start to work again. And that happened every day. Thinking this was outrageous, I approached the studio head, but his response was, “There’s no one else I can trust to do this work.” For her part, as well, she was an avid worker, who always said, “I’d rather do it myself than team

Linear’s founders want to do more than support better software creation. They want to bring back a sense of dignity to software creation, a job that today, Saarinen observes, can feel disconnected from a larger purpose. They want software engineers to feel satisfaction with and control over their work, something overreliance on project managers ha

Yasuhiko Kobayashi and Heibon Punch editor Jirō Ishikawa