Sublime

White America does not need us merely for what we contribute to culture, science, or the arts. It needs us as an outlet for its rage.

People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster. The time has come to realize that the interracial drama acted out on the American continent has not only created a new black man, it has created a new

In this long battle, a battle by no means finished, the unforeseeable effects of which will be felt by many future generations, the white man’s motive was the protection of his identity; the black man was motivated by the need to establish an identity. And despite the terrorization which the Negro in America endured and endures sporadically until

The art form that black Americans have relied upon for generations is no longer theirs.

Out of this incredible brutality, we get the myth of the happy darky and Gone With the Wind. And the North Americans appear to believe these legends, which they have created and which absolutely nothing in reality corroborates, until today. And when these legends are attacked, as is happening now—all over a globe which has never been and never will

They lose attention because many of their teachers have lost attention, shed it in the heat of a formation that narrowed intellectual excellence down to one kind of performance, one kind of white body-mind.

how Blackness is selectively celebrated (and contained) within the white imagination.

But so much of what we think and feel about people of other races is dictated by our system, and not our hearts. Who we see as successful, who has access to that success, who we see as scary, what traits we value in society, who we see as “smart” and “beautiful”—these perceptions are determined by our proximity to the cultural values of the