Sublime

The most interesting thing about Bill Bradley was not just that he was a great basketball player, but that he succeeded so amply in other things that he was doing at the same time, reached a more promising level of attainment, and, in the end, put basketball aside because he had something better to do.

I watched the general flow on the court for a while, and it was soon clear enough who had drawn the crowd, and that he was the most graceful and classical basketball player who had ever been near Princeton, to say the very least. Every motion developed in its simplest form. Every motion repeated itself precisely when he used it again. He was remark

Bradley says that when he was seventeen he came to realize that life was much longer than a few winters of basketball. He is quite serious in his application to the game, but he has wider interests and, particularly, bigger ambitions. He is a history student, interested in politics, and last July he worked for Governor Scranton in Washington.

At Princeton, Bradley has become such an excellent basketball player that it is necessary to look beyond college basketball to find a standard that will put him in perspective. The standard’s name is Oscar Robertson, of the Cincinnati Royals, who is the finest basketball player yet developed. Robertson, who is known in basketball as The O, stands o

For one thing, he has overcome the disadvantage of wealth. A great basketball player, almost by definition, is someone who has grown up in a constricted world, not for lack of vision or ambition but for lack of money; his environment has been limited to home, gym, and playground, and it has forced upon him, as a developing basketball player, the di

Bradley is one of the few basketball players who have ever been appreciatively cheered by a disinterested away-from-home crowd while warming up.