Sublime
An inspiration engine for ideas
Pleasing patterns play upon the brain’s circuitry in ways that benefit the human tribe.
Joe Moran • First You Write a Sentence.: The Elements of Reading, Writing … and Life.


Though she knew she was partially responsible for her recommendations, the algorithmic acceleration of content online outpaced her everyday experiences to an absurd degree. “Not every interaction I have in real life would shape my choices. Why should my tiniest interaction with an influencer wearing leg warmers? They fed it to me,” she said. There
... See moreKyle Chayka • Filterworld
The consolidation of vast wealth in the hands of a few industrialists, and a burgeoning population of new millionaires, required moral justification.
Micki McGee • Self-Help, Inc.: Makeover Culture in American Life
Of the thousand artists who had serious gallery shows in New York and London during the 1980s, no more than twenty were offered in evening auctions at Christie’s or Sotheby’s in 2007. Eight of ten works purchased directly from an artist and half the works purchased at auction will never again resell at their purchase price.
Donald N. Thompson • The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art
and Maurizio Cattelan. For the first half-decade of the twenty-first century, Segalot chose Takashi Murakami, Luc Tuymans, Matthew Barney, and Robert Gober.
Donald N. Thompson • The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art
1. Patricians
high wealth, low need for status
ex: Loro Piana
2. Parvenus
high wealth, high need
ex: Birkin lawsuit
3. Poseurs
low wealth, high need
ex: dupes, Stanleys
4. Proletarians
low wealth, low need
ex: Carhartt
Danielle Vermeer • Tweet
Although these emerging tropes—the metaphor of life as work of art, and the model of artists as ideal workers—suggest a Romantic, antimodernist refusal of the domination of market forces, paradoxically they contribute to the expansion of a culture of work without end.
Micki McGee • Self-Help, Inc.: Makeover Culture in American Life
Like other promoters, Thibault and Felipe questioned the intrinsic beauty of fashion models while wholeheartedly embracing their economic value.