Sublime

this article by @raynefq about the self being more consumable and how young women are susceptible to the tropes of a familiar identity as shown by 'complex female characters' https://t.co/lfCPMFhdBj

- "the concrete practices of the tech industry now structure identity and individuality in ways that support its own hegemony. While it presents endless avenues for expression, it sees us as wholly reducible to market logic, where we are real to the degree that our consumption habits are rational. This vision of selfhood promotes uniformity and bou... See more

As we have seen in the previous theses, our digital environment:

Regulates our lives towards a smaller number of paths purposely designed by others rather than trails more fortuitous and exploratory.

Builds up a monolithic authentic self rather than a lush set of mutually-enriching contextual identities.

Is heavily focused on categorising people, whic

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“I think this is like a widespread public health issue, and the way to start solving it is has got to be part of a bigger collective political movement, really, focusing on solving the inequality of beauty versus the insecurity of beauty, and once the inequality of beauty is addressed, the insecurity will naturally follow that pattern”

Whereas the millennial women of Instagram — the millennial women associated with the “that-girl” trope — would strike the perfect pose and use filters to enhance their natural beauty, Gen-Zs use their phone cameras to distort the natural ideal of the human face, obscuring their features with emojis, cartoon glitter, surreal lighting and other disto... See more

Hyperconnectivity in the cultural realm promises abundance, decommodification and democratization. Everyone has at their fingertips an infinitely rich and varieduniverse of cultural products. New cultural forms and innovative practices have proliferated. Much digital culture is freely shared rather than bought and sold. And ever-expanding circles o

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The overall digital environment is dictated by tech companies with ruthlessly capitalist, expansionary motives, which do not provide the most fertile ground for culture. While the magazine fashion editor may periodically use their ability to pick out and promote a previously unheard voice, the algorithmic feed never will; it can only iterate on est

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