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All have very clear first and last acts – a call to action and a final judgement – but between them too, within the constraints of reality they’re derived from, the same structure as Shakespeare, as Terence and as Horace.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them

Story: Style, Structure, Substance, and the Principles of Screenwriting
Robert McKee • 1 highlight
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For screenwriting, Jon recommends The Writer’s Journey by Christopher Vogler, which he used to determine if Swingers was structurally correct. He is also a big fan of The Power of Myth, a video interview of Joseph Campbell by Bill Moyers.
Ferriss, Timothy • Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers


The writers of portraiture and spectacle, indeed all writers, must come to understand the relationship of story to life: Story is metaphor for life.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
The art of story is the dominant cultural force in the world, and the art of film is the dominant medium of this grand enterprise. The world audience is devoted but thirsting for story. Why? Not from a poverty of effort. The Writers Guild of America script registration service logs over thirty-five thousand titles yearly. These are only those that
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