Sublime
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Many of these factories were designed by Albert Kahn, the famous industrial architect responsible for the design of Ford’s enormous Rouge Facility. Over the course of the war Kahn’s firm designed nearly 100 million square feet of factory space. Kahn favored large, single-story factory buildings with wide bays to maximize the flow of material throug
... See moreBrian Potter • How to Build 300,000 Airplanes in Five Years

More colour theories about Stockholm -from a photo essay commissioned by @apple -Tiles perspectives of Mörby Centrum subway station, Artists/Design: Gösta Wessel & Karin Ek, 1978 #ShotiniPhone #teklan X #apple #colour #gostawessel #karinek
instagram.comGary Foltz
@chrysalisarkive
Guy Libzon
@guylibzon
Rest in peace, Richard Serra. “Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in tact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working.” — Richard Serra One of the most significant artists of his generation, Richard Serra (b. 1938, San Francisco) has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. In addition to his large-scale sculptures, Richard Serra has also produced a significant body of work on paper. His works on paper are an integral part of his artistic practice and provide insights into his exploration of form, weight, and spatial relationships in a two-dimensional format. His tilted walls of rusting steel, monumental blocks and other immense and inscrutable forms created environments that had to be walked through, or around, to be fully experienced.
instagram.comRobert Yang
@curious
Ed Rock
@edrock
David Mousa
@dmoose88
