Sublime

● Facts:

hypothesis” rather than as a textual property.

caesura

“Instead of making the movies more real,” sound dialogue “makes them less real,” the old Hollywood journalist Henry Carr insisted. “The voice accentuates a fact that we sometimes forget—that movie characters are flat shadows on the wall.” Carr also predicted that many “lovely girls” and “handsome sheiks” of the screen would never make the transitio

warping cultural creators’ intentions for what they put out into the feed, changing their relationship to their own work as well.

deeply humanistic way of knowing, one that assigns value to time, history, and social or material circumstance-even trauma and wear-as part of our thinking about new media.

Ray has argued that the dated aspects of films directed by William Wellman are more valuable than the relative "timelessness" of those directed by HowardHawks because they have more to tell us about the worlds they came from-which is another way of saying that film criticism can and should be a way of writing about the world.'

Authorities:

fan practices blur the distinction between reading and writing.