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Hannah Giorgis • When Making Art Means Leaving the United States

Salman Rushdie • Salman Rushdie · Imaginary Homelands
Anger quickened in him: an old feeling that Bessie had often described to him when she had come from long hours of hot toil in the white folks’ kitchens, a feeling of being forever commanded by others so much that thinking and feeling for one’s self was impossible. Not only had he lived where they told him to live, not only had he done what they
... See moreRichard Wright • Native Son
“He attended school, where he was taught what every white child was taught; but the moment he went through the door of the school into life he knew that the white boy went one way and he went another. School stimulated and developed in him those impulses which all of us have, and then he was made to realize that he could not act upon them. Can the
... See moreRichard Wright • Native Son
The mere thought that these avenues of action were open to him made him feel free, that his life was his, that he held his future in his hands. But they would never think that he had done it; not a meek black boy like him.
Richard Wright • Native Son

At the root of the American Negro problem is the necessity of the American white man to find a way of living with the Negro in order to be able to live with himself. And the history of this problem can be reduced to the means used by Americans—lynch law and law, segregation and legal acceptance, terrorization and concession—either to come to terms
... See moreJames Baldwin • Notes of a Native Son
These were not really my creations, they did not contain my history; I might search in them in vain forever for any reflection of myself. I was an interloper; this was not my heritage. At the same time I had no other heritage which I could possibly hope to use—I had certainly been unfitted for the jungle or the tribe. I would have to appropriate
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