Sublime

In these conditions of ontological precarity, forgetting becomes an adaptive strategy.

“…the stammerings of an old man who does not seem to have achieved a full psychic victory over an awkward adolescence…”

Frank almost never started a design with a predetermined shape. He liked to begin by “playing”—a word he used far more often than “working” when he talked about how he went about designing things—with wooden blocks of different sizes, each representing a portion of a building’s functional program. He would then stack or array the blocks in what he

Stage empty. Before the action begins, the house music should cease long enough for the Audience to feel uncomfortable. Staging for Reader may vary according to the house and experience of the company. If Reader is seated in the front row, she should stand, walk quickly to the apron, and turn to address the Audience. If Reader is seated in a box se

Man no longer moves towards objects through an act of will, he no longer chooses or examines objects: the world has dissolved, the objects move incoherently past the incoherent man.