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” Levitt’s deadpan spunkiness emerges throughout the essay. She is a proud reporter, insisting on the exterior, matter-of-fact, impersonal quality of her work, writes Gopnik. But she refused to become a journalist. “A reporter,” according to Levitt, “says what she sees; a photojournalist sees what everyone else is saying.”
Bill Jay • LensWork #83 (The Bill Jay's Best of EndNotes issue)
In interviews, Araki has addressed the connections between his filmmaking style, ongoinginfluences of the punk movement, and thesomewhat limited opportunities for realizingradical/subversive intentions in a highly commercialized society. As he explained in a 1997interview, ". .. my sister became an accountant, my brother became a computer... See more
Auteur/Bricoleur/Provocateur: Gregg Araki and Postpunk Style in ...
rarefilmm | The Cave of Forgotten Films
rarefilmm.com
Hideo Gosha's 'Samurai Wolf' Is a Man of His Sword
popmatters.com
The Crisis of Narration by Byung-Chul Han review – how big tech altered the narrative
Mon 19 Feb 2024 03.00 AEDT
In Charlie Kaufman’s puppet animation Anomalisa, everyone looks and speaks the same. It’s as though a scene in an earlier Kaufman-penned film, Being John Malkovich, in which Malkovich surveys a restaurant from his table and
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