Sublime
An inspiration engine for ideas
Anna Quindlen • 1999 Mount Holyoke Commencement Speech
The death of the public intellectual
substack.comA lot contributed to Anna finally getting her first job at Vogue. She had spent more than half her life developing a personal brand—the hair, the sunglasses, the polished designer wardrobe, moving through the world like the star of her own never-ending photo shoot. As Schechter put it, “She’s not loud and she’s not theatrical. She’s always
... See moreAmy Odell • Anna
And, like many modern people—modern women, especially—I had catapulted out of my context…The successes [of the writers] gave me hope, of course, yet it was the desperate bits I liked best. I was looking for directions, gathering clues.
William Zinsser • Writing Places: The Life Journey of a Writer and Teacher
Haley Nahman • #176: Accounting for taste
Your godparents, also city people, live a mile down the road. She has red hair and cat’s-eye glasses; he is bald and does one voice to impersonate all four Beatles.
Lena Dunham • Not That Kind of Girl: A Young Woman Tells You What She’s Learned
made her want to be a superlative. She felt that the only way to be seen was to be remarkable in one department.
Lisa Taddeo • Three Women: THE #1 SUNDAY TIMES BESTSELLER
In early 1980s London, there were several different youth fashion movements happening at the same time: the New Wave, a less scary and political descendent of punk; Buffalo, created and shaped by influential stylist Ray Petri, where kids of mixed race or ethnicities wore classic 1950s looks like leather bomber jackets, pressed dungarees, white
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