Sublime
An inspiration engine for ideas
Sheryl Sandberg diz que quando conheceu Bill, durante sua primeira semana no Google no final de 2001, ele lhe perguntou: “O que você faz aqui?”. Na época, Sheryl havia sido contratada como “administradora geral da unidade de negócios”, um cargo que não existia antes de sua chegada. Na verdade, não havia nenhuma unidade de negócios, de modo que ela
... See moreEric Schimdt • O coach de um trilhão de dólares: O manual de liderança do Vale do Silício (Portuguese Edition)
For fans who sign up to interact with their favorite celebs, Community’s pitch is that—unlike every other social platform—it’s not an advertising-based business model. The only brands on it are the celebrities and artists themselves. Because it’s not ad-supported, Oseary says that the information you give Community at sign-up will never be sold or... See more
Jeff Beer • fastcompany.com

Ex-Facebook COO Sheryl Sandberg spent $13K on lingerie during Europe trip, told aide to ‘come to bed’ on private jet: book https://t.co/k1tk8CNNcY https://t.co/UyEY6YMmYH
Zuckerberg continued: “When we talk about giving favorable terms [to creators], it's actually not just the economics. I think it's also the portability, so that we creators know that if they start building up a business here, that they're not just gonna be locked in, and will be able to take it to different places.”
Casey Newton • Five takeaways about Facebook's pivot to audio
Mark Zuckerberg + Spotify & Shopify's CEOs discuss the Creator Economy on PressClub
open.spotify.comThe creator economy is in the midst of a decisive shift—from a “bigger is better,” ad-driven revenue model to one of niche communities and direct user-to-creator payment.
a16z.com • 1,000 True Fans? Try 100 - Andreessen Horowitz
But in 2013, after a key meeting of Facebook's top ad tech execs with COO Sheryl Sandberg, a decision was taken that would severely limit FBX's future.
Sriram Krishnan • Andrew Bosworth on FB ads
His point is that Brud can create digital characters who are infinitely more scalable and globally appealing. A digital celebrity could theoretically produce unlimited content for unlimited languages and cultures: she could produce a dozen Instagram photos, release a feature-length film, and give six interviews—all in a single day.
Rex Woodbury • The Business of Fame: 1920-2020
She has leveraged the names of her powerful allies to raise money for charitable initiatives, most notably the Metropolitan Museum of Art’s Costume Institute, which preserves and displays objects of fashion as art, for which she has amassed more than $250 million. She has organized the fashion industry’s efforts to raise money for Democratic
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