Sublime

Just as the einherjar would fight for the gods at the Ragnarök, the drowned also had their station, although a terrible one that they do not seem to have earned. As all the powers gather at the end, something will stir on the ocean floor, the greatest Viking ship ever made. Its name is Naglfar, ‘Nail-Ship’, so called because it is built from the

Odin’s hall, and Freyja’s, hold “all men who have fallen in battle since the beginning”, but they will be too few “when the wolf comes”, as Fenrir inevitably will at the Ragnarök. Kings and their retinues are therefore especially welcome, with the Valkyries serving wine for such a royal entrance.

However, behind these warlords and their petty kingdoms, and the social ladder on which they tried to rise, were the continuities of political life that had been part of Scandinavian culture for centuries. This was the so-called thing (Old Norse þing), a regular gathering of elected representatives in whom was vested the practical exercise of power

the largest longship ever found—thirty-two metres long, with a single-watch crew of eighty that could have been doubled for war. Dating to the early eleventh century, it is of the dimensions the sagas give for the highest rank of royal warships.

the legendary sagas sometimes include narratives that ostensibly concern events long before the Viking Age, stretching back to the time of the great migrations when the post-Roman map of Europe was violently transformed. Figures such as the Hun warlord Attila appear (rather approvingly), along with fifth- and sixth-century kings and military

Saga simply means ‘story’, literally ‘what is said’, both in Old Norse and in the modern Scandinavian languages. As with any storytelling tradition, there are numerous narrative styles and genres, composed at different times and places and for a wide variety of purposes. The first Old Norse sagas were written down in Iceland during the late 1100s,