Sublime

Craft is contemporary because it is queer,  with its nelly yarn bombers and wild cross-stich faggotry and dykes who throw pots . Craft's queerness keys into interlocking discourses of pleasure, shame, disappointment, difficulty, exuberance, and community-building.

I love queerness so much as a beautiful and belligerent tradition of people whose sense of love and beauty and justice and art and adventure and family is too expansive for the examples that were set for us. But rather than keep quiet, we insist on something truer for ourselves.”

To be at the intersection of female-identifying, queer, and Black is to find oneself at an integral apex. Each of these components is a key technology in and of itself. Alone and together, “female,” “queer,” “Black” as a survival strategy demand the creation of their individual machinery, that innovates, builds, resists. With physical movement ofte

Queer, amateur: these are mutually reinforcing terms.