Sublime
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The Way We Live Now: 11-11-01; Lost and Found (Published 2001)
nytimes.com
the significance doesn’t matter. The historical significance deadens it. Across those unbridgeable distances—between bird and painter, painting and viewer—I hear only too well what’s being said to me, a psst from an alleyway as Hobie put it, across four hundred years of time, and it’s really very personal and specific. It’s there in the light-rinse
... See moreDonna Tartt • The Goldfinch: A Novel (Pulitzer Prize for Fiction)
“Great art is clear thinking about mixed feelings.”
Molly Mielke • (self) concept
- "Pater said beauty is impossible without some element of strangeness; the potential for beauty was built into his own “strange webs” of significance, spun in such writerly fashion around the object with which he was in dialogue. Criticism is one way to be the spider, paying out silk, both navigating and creating the web as one goes. What defines ... See more
Elizabeth Schambelan • Elizabeth Schambelan on criticism - Artforum International
Lost Highway Article - Premiere Sept. 96
lynchnet.com“Dean, like Twombly, is fixated with time,” The Guardian in 2011. “She has photographed a ruined modernist house on an overgrown island, filmed nuns eking out their days in a dying religious community, and recorded the last days of a Kodak factory.”
https://www.nytimes.com/2024/10/06/arts/design/tacita-dean-drawings-twombly-menil.html