Sublime

Trafalgar Square.

In each, the artist creates a structure—whether that’s a map or a cordoned-off area (or even a lowly set of shelves!)—that holds open a contemplative space against the pressures of habit, familiarity, and distraction that constantly threaten to close it.

dismantling institutions they could produce communities: face-to-face relations of trust and solidarity, relations constantly negotiated and renewed, a communal realm in which people became sensitive to one another's needs.

His circumlocutions display the necessity of distance from the body’s dark needs, impoverishing architectural theory and architecture itself, in Penner’s view.

find a fresh and different way of using architecture to produce the sensations of satisfaction, comfort, and pleasure that more traditional buildings did.

Augé, Koolhaas, and…

Some highlights have been hidden or truncated due to export limits.

space of flows,”

a deconstruction of the known self.