Sublime

space of flows,”

overwhelmingly passive.

Perversely, irony relies on some remains of cultural capital in order to coherently express its destructive message. If elevated beyond commentary and analysis to its own pedestal of artistic value, its essence become desacralization and the making trite of deep truths we might prefer to respect and conserve.

Walter Truett Anderson, writing in 1996, describes the four pillars of postmodernism: 1.The social construction of the concept of the self: Identity is constructed by many cultural forces and is not given to a person by tradition; 2.Relativism of moral and ethical discourse: Morality is not found but made. That is, morality is not based on cultural

it is the hybrid and dissonant experience of living intermittently within modernized spaces and speeds, and yet simultaneously inhabiting the remnants of pre-capitalist life-worlds, whether social or natural.