Sublime
An inspiration engine for ideas
refuses Berry's virtualization as Edelman's Symbolic Child.
Shaka McGlotten • Virtual Intimacies: Media, Affect, and Queer Sociality
Alisa Rosenthal
@alisarosenthal
Robbie Holts
Fredrik Backman • Beartown: A Novel (Beartown Series)
The music producer Adrian Younge was hanging out on Twitter one day and tweeted, “Who is better: The Dramatics or The Delfonics?” As his followers erupted in a debate over the two soul groups, one follower mentioned that the lead singer of The Delfonics, William Hart, was a friend of his dad’s and that Hart just happened
Austin Kleon • Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered (Austin Kleon)
I saw an elderly man at the supermarket who was in charge of collecting all the trolleys. He must have been pushing seventy.
Graham Cann • 1001 Dad Jokes: Dads' Ultimate Collection of Laugh-Out-Loud, Gut-Busting Gags (1001 Jokes and Puns)
Daniel Cohn-Benclit.
Jonathan Rosenbaum • Goodbye Cinema, Hello Cinephilia: Film Culture in Transition
Set the scene.
Giles Colborne • Simple and Usable Web, Mobile, and Interaction Design
一个暴论：
AI 时代 个体创新价值的可能终结
Part 1
昨晚看了《哪吒2》的幕后纪录片《不破不立》，看着上百位艺术家（动画师），一帧一帧地按照导演的想法绘制动画，然后交由饺子去审判是否通过接收。特别是哪吒被穿心咒撕裂那几秒钟的画面，背后是整个团队数周的反复打磨。这部动画背后庞大、复杂的组织分工和工程量让我颇为触动。
我不禁联想到了被称为无法复制的23年年度游戏《博德之门3》。当博3正式版发布后，游戏产业为之震动，其内容之浩瀚，工程体量之庞大（令人绝望），让很多从业者感叹：totally insane。
这两个载入史册的作品，都由时间、资金和工程体量，堆砌出了不可逾越之壁。
Part 2
而在生产力极大解放的AI时代，创新产品价值的不可逾越之壁，会是什么？
基于我的观察，我认... See more