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Opening. Becoming. The third disruption is enabled by the previous two. Streams of powerful services and ready pieces, conveniently grabbed at little cost, enable amateurs with little expertise to create new products and brand-new categories of products. The status of creation is inverted, so that the audience is now the artist. Output, selection,

Kevin Kelly • The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future

In Praise of Print: Why Reading Remains Essential in an Era of Epistemological Collapse

Ed Simon lithub.com

In a world of perpetual data overload, [curation] implies information design and selectivity: the channeling, filtering, and organization into intelligible and usable information; the digging up of new or long ignored cultural corpora. Most of these corpora are simply sitting in storage: less than 1% of the Smithsonian Institution’s permanent colle... See more

Todd Presner • The Digital Humanities Manifesto 2.0

Curate the Internet, Comprehend the World: Introducing Startupy

Tom White whitenoise.email

Taste Is the New Intelligence

stepfanie tyler substack.com

The open-stack library: a futuristic technology from the 18th century

Benjamin Breen resobscura.substack.com

Bharat Anand, author of The Content Trap,

Kate Eichhorn • Content (The MIT Press Essential Knowledge series)

the very possession of these books formed his identity as a reader, writer, and human being—even if he hadn’t read all of them.

Kyle Chayka • Filterworld

The changing world is leveling the playing field and turning us all into amateurs at an unbelievable pace. This is why the role of the curator is getting more and more important at this point in history.