Sublime

His work is one of the great literary accounts of the psychic costs of reification, of what he calls “a peculiar malign abstractness” within the culture of mid-twentieth-century capitalism.

The algorithm is God,”

This work presupposes that digital technology could impact our movements in the physical world in dynamic ways, some akin to ways we move avatars in video games, and some quite different.

The city becomes a backdrop to the omniscient screen, falling into the space of flows. Geographical differences give way to digital similarities, which can sometimes be very inconvenient when too many people are following the same algorithmic pathways.

Thus the cycle of aesthetic optimization and homogenization continued.

public interest software.