Sublime
An inspiration engine for ideas
END OF ACT ONE EVENT/TURN & DECISION (page 25-30):
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
ANDY WARHOL'S "YOU'RE IN" BY COMME DES GARCONS
vimeo.comthe script shows us what we SEE and HEAR. Now. Live.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
Keep in mind that a “premise pilot” may not utilize the Week-to-Week engine of subsequent episodes.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Season 3 (current) is now exploring the metaverse, NFT, DAO, crypto and tokenization.
Bill Johnston • Cohere Podcast
screenwriter,
Marcia McFee • Think Like a Filmmaker
Meandering Story
John Truby • The Anatomy of Story: 22 Steps to Becoming a Master Storyteller
One of the great contradictions of the way we make television inthe United States is that writers are given managerial controlover the entire enterprise... but writers are very often badcommunicators outside the page. Also, talking to people non-stop,all day, with great specificity about a project this size ishard, and tiring.