Sublime
An inspiration engine for ideas
In The Wire everyone was both protagonist and antagonist to someone else; every battle was balanced and you didn’t know who would win
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Disney+ Wants to Make You Finish What You’ve Started — Report
David Mamet Memo to "The Unit" Writing Staff
David Mamet's memo provides guidelines for the writing staff of the TV show "The Unit" regarding the importance of drama, storytelling, and creating engaging scenes that advance the plot.
screencraft.orgThe Package King of Miami
nymag.com
Hint at Central Conflict (“The Compelling Crisis”): Give us a taste of the ongoing dramatic dilemma of this series.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Archived graphic design etc. by Pedro del Corro
p-del.co
William Bridges: The three ideas I pitched to Charlie and Annabel were shit and none of them stuck, but I think we got on enough for them to trust that my spec script wasn’t a fluke. A few days later, they sent me one of Charlie’s own ideas to flesh out: an embryonic version of Shut Up and Dance. The treatment was very different from the finished e
... See moreCharlie Brooker • Inside Black Mirror
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John Yorke • Into The Woods: How Stories Work and Why We Tell Them
The Kuleshov Effect