Sublime
An inspiration engine for ideas
“forum for the exchange of comment and criticism”
Marie K. Shanahan • Journalism, Online Comments, and the Future of Public Discourse
the chapter attempts to reconcile the document versioning that is a hallmark of electronic culture with both the notion of the "version" in literary editorial theory and the cultivation of postmodern variability and instability in the critical literature about creative hypertext.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
hard drive is physically sequestered from any direct observation.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
March 11, 2013.
Paul Vigna , Michael J. Casey • The Age of Cryptocurrency
ask us to develop an approach capable of accounting for the ways in which electronic data was simultaneously perceived as evanescent and ephemeral in some quarters, and remarkably, stubbornly, perniciously stable and persistent in others.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
Glenn McDonald,
Kyle Chayka • Filterworld
objects can be algorithmically individualized.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
What is conspicuous in both projects is that storage-to the exclusion of the CPU or any other portion of the computer's architecture-is the locus of identity and the soul of the new machine.