Sublime

‘Identity politics’, meanwhile, has become the place where social justice finds its caucuses. It atomizes society into different interest groups according to sex (or gender), race, sexual preference and more. It presumes that such characteristics are the main, or only, relevant attributes of their holders and that they bring with them some added

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Here we see a really pivotal moment of change, when art must become something that does not make people uncomfortable, so that they will spend money. The kind of person who is expected to consume art is transformed in the mind of the producer. The people who might very possibly love being expanded by what they see are never given the chance.

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“To live externally is to live more dangerously,” Moskowitz writes, of giving up the constant inward gaze. “It is to live a life that takes up public space, a life that is messy and confusing and thus a life that is often frowned upon, especially in an era in which everyone is accustomed to control and curation over social space and affect.”