Sublime
An inspiration engine for ideas
a great script focuses on a protagonist that drives the story with their active decisions,
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
arrangements. Public
Martin Gurri • Revolt of the Public and the Crisis of Authority in the New Millennium
fundamental unit of dramatic construction – something is confronted by its opposite and revealed to be something else.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
When a painting is reproduced by a film camera it inevitably becomes material for the film-maker’s argument.
John Berger • Ways of Seeing (Penguin Modern Classics)
Cinematch,
Kyle Chayka • Filterworld
The goal, as always, is conflict and contrast.