Sublime
An inspiration engine for ideas
fundamental unit of dramatic construction – something is confronted by its opposite and revealed to be something else.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Setups must be handled with great care. They must be planted in such a
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
All great drama is character-based, all enduring drama is character-based, all popular drama is character-based, and all plausible drama is character-based.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
like any good crisis point it forces Michael to confront his earlier actions.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
unique way we turn the story.