Sublime
An inspiration engine for ideas
change is at the root of all drama,
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
11 laws of showrunning
The Eleven Laws of Showrunning by Javier Grillo-Marxuach provide advice and insights for effectively managing a television show, from fostering a creative environment to delegating responsibility and sharing credit.
okbjgm.weebly.comIntroduce a Fascinating Protagonist (Protag):
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
set-up, confrontation and resolution.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Set-up (including mini inciting incident) Confrontation (conflict ending in crisis point) (Climax and) Resolution.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
It is the façade that triggers the problem.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
At the beginning of a scene characters establish themselves on fairly solid ground, pursuing a goal they believe will restore order to their world. Just when they think they might be getting somewhere, something happens to throw their world into turmoil once again.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
inciting incident blows a seemingly ordered reality into a thousand fragments, then a detective arrives to hunt down the culprits and restore things to their rightful place.