Sublime

as screenwriters, we need to be aware of risking the attention spans of our audience.

there is something in the quality of Ruiz's imagination that summons up those primal Hollywood pleasures, something that connects to our first film-going experiences, when we weren't old enough to follow the plots and still too young to care. Lucas and Spielberg pursue these same memories in their films, but they're too literal minded, too committe

Filmtrepreneurs need to think about minimizing risk as much as possible.

I was a person who’d watched a lot of movies, sure. I had taken a couple of film theory classes in college because it seemed like something you should do if you wore as much black as I did.

INVOCATION: Dear readers, help us to deliver ourselves from our enslavement to production values, our ridiculous attachment to slickness which makes filmgoing in most sectors an exclusive subscription to the puerile pastimes and philosophies of stupid, vulgar millionaires.

In 1976, artist and critic

Brian O’Doherty

set the art world abuzz with a three-part essay published in Artforum . Titled “Inside the White Cube,” it gave a catchy new name to a mode of display that had long ago achieved dominance in museums and commercial galleries.