Sublime
An inspiration engine for ideas
able to “reobjectify” this man who day-to-day is so familiar.
Ada Calhoun • Wedding Toasts I'll Never Give
gained an outsized faith in articulation itself as its own form of protection.
Maggie Nelson • The Argonauts
The self is not a fixed, organic thing, but a dramatic effect that emerges from a performance. This effect can be believed or disbelieved at will.
Jia Tolentino • Trick Mirror: Reflections on Self-Delusion
Each human being is multidimensional and contradictory, with what Avery Gordon describes as a “complex personhood”:
AnaLouise Keating • Transformation Now!: Toward a Post-Oppositional Politics of Change
This, it would seem, is yet another example of white privilege—to retain humanity in the face of inhumanity. For criminals who defy our understanding of danger, the cultural threshold for forgiveness is incredibly low.
Roxane Gay • Bad Feminist: Essays
You can work to make a safe environment, but if the teachings at hand are meant to rattle, people are going to feel rattled.
Maggie Nelson • On Freedom: Four Songs of Care and Constraint
‘one’s humanity is simultaneously shared and singular’ (Jackson, 2002: 142).
Steph Lawler • Identity: Sociological Perspectives
Like Sappho, she pursues love as an “absolute emptiness which is also absolute fullness.”