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I think it’s also important to admit, to attest to, and to [bear] witness to the violence of the archive of slavery, which is about erasure. There are tick marks instead of names; it’s all about the slave’s relationship to the accumulation of wealth for another. The archive doesn’t tell us the story of someone’s life.
Bettina Judd • On
“The desire to think about other forms of archive, and other ways of holding knowledge, has always been embedded in my work, whether that’s in a lived space, whether it’s in land. Land is also an archive. Dust. Recipes. Songs and stories.”
Sumayya Vally • New Forms of Articulation: Sumayya Vally in conversation with Esther Choi — Deem
History written by the victors offers glimpses of marginalized figures, for whom we need to “fabulate” stories to “strain against the limits of the archive” and “represent lives… through the process of narration.” Building relationships between things is a form of authorship too.
Mindy Seu • On Gathering
“An archive presuposes an archivist”. That is where the thought about the agency of the archivist can be developed. The archivist has the needed agency to decide on the purpose and predestined longevity of the archive. I would like to dip into longevity first. In that respect there seems to be at least two ways to archive. First is archiving for a
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In a world of perpetual data overload, [curation] implies information design and selectivity: the channeling, filtering, and organization into intelligible and usable information; the digging up of new or long ignored cultural corpora. Most of these corpora are simply sitting in storage: less than 1% of the Smithsonian Institution’s permanent... See more
Todd Presner • The Digital Humanities Manifesto 2.0
Self-Study Guide Weaving Networks for Systemic Change
Explores network weaving strategies to foster systemic change by building collaborative relationships, enhancing collective learning, embodying wellbeing, and providing curated resources and tools for impactful social innovation.
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