Sublime
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I think it’s also important to admit, to attest to, and to [bear] witness to the violence of the archive of slavery, which is about erasure. There are tick marks instead of names; it’s all about the slave’s relationship to the accumulation of wealth for another. The archive doesn’t tell us the story of someone’s life.
Bettina Judd • On
History written by the victors offers glimpses of marginalized figures, for whom we need to “fabulate” stories to “strain against the limits of the archive” and “represent lives… through the process of narration.” Building relationships between things is a form of authorship too.
Mindy Seu • On Gathering
In a world of perpetual data overload, [curation] implies information design and selectivity: the channeling, filtering, and organization into intelligible and usable information; the digging up of new or long ignored cultural corpora. Most of these corpora are simply sitting in storage: less than 1% of the Smithsonian Institution’s permanent colle... See more
Todd Presner • The Digital Humanities Manifesto 2.0
the politics of eternity, the seduction by a mythicized past prevents us from thinking about possible futures. The habit of dwelling on victimhood dulls the impulse of self-correction.
Timothy Snyder • On Tyranny: Twenty Lessons from the Twentieth Century
Whaur Dae Ye Lie?
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Adrienne Rich wrote, “I do know that art means nothing if it simply decorates the dinner table of the power which holds it hostage.”