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Keep it second person present tense and use strong, unique verbs that capture tone, emotion, and character.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
Hollywood tends to extremes;
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Story by Robert McKee
Robert McKee, a Fulbright Scholar, is the most sought-after story authority in the world. His international screenwriting workshops have long won acclaim from celebrities, film industry professionals and enthusiastic students alike. In this guide, he presents his knowledge of the essentials of screenwriting and storytelling.
Robert McKee, a Fulbright Scholar, is the most sought-after story authority in the world. His international screenwriting workshops have long won acclaim from celebrities, film industry professionals and enthusiastic students alike. In this guide, he presents his knowledge of the essentials of screenwriting and storytelling.
Ten of the Best Books on Writing | Reading Room | Faber Academy
Enter the action of your story as late as possible in the world but as soon as possible in the script.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
the story shape is structured around how they find, retrieve and finally master the quality in their life that has eluded them.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Name this subtextural action with an active gerund phrase, such as “
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
We heal as we watch, not because the work articulates the need for conflict resolution, but because it allows us to enact the process ourselves.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
From this moment the protagonist’s adventure can never be the same again.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
this is drama; every action has a consequence.