Sublime

set-up, confrontation and resolution.

We heal as we watch, not because the work articulates the need for conflict resolution, but because it allows us to enact the process ourselves.

How they develop that knowledge forms the underlying subject matter of the second half of the film.

render the precise experience necessary to cause an emotion, then take the audience through that experience.

Watch the film or episode. And watch it with the script open in front of you. Follow along page by page. See what dialogue changed, what locations are different. Note how the editing changed the order of some scenes, what characters might be gone or new ones who aren’t in the script.

the trick is to build a problem into every relationship so that you have something that needs to be resolved by the end of the movie.

It’s a truth on which all film grammar is based.

unique way we turn the story.