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change is at the root of all drama,
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
the story shape is structured around how they find, retrieve and finally master the quality in their life that has eluded them.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Creating Unforgettable Characters: A Practical Guide to Character Development in Films, TV Series, Advertisements, Novels & Short Stories
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When word and action are divorced and effectively juxtaposed, the viewer is immediately more involved. If dialogue is just telling, this doesn’t happen.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Introduce a Fascinating Protagonist (Protag):
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
The writers of portraiture and spectacle, indeed all writers, must come to understand the relationship of story to life: Story is metaphor for life.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting

the sooner you establish a line of action that moves forward (a character pursuing a goal against obstacles) the better.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Select and build these units correctly and you will create a plausible, thrilling, moving work that in portraying a tiny fraction of a life captures the essence of its whole.