Sublime
An inspiration engine for ideas
directors trying again
owl • 4 cards
The goals of protagonist and antagonist in every scene are in direct conflict
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
a shocking yet inevitable turn
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
‘proscenium arch’
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Storytelling, then, is the dramatization of the process of knowledge assimilation.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
the film’s cast could not come along. So Boggs intended to hire local talent to play the characters originated by actors in Chicago. Motion pictures were still such a new and makeshift medium that audiences, he figured, would never notice the difference.
Gary Krist • The Mirage Factory
their reactions to the obstacles that litter their path.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
the Kuleshov Effect.