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Storytelling, then, is the dramatization of the process of knowledge assimilation.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Act One ends on page 30...Act Two ends on 90...and there are major beats at 10, 20, 27, 40, 55, 75, 87, and 100.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
The goal, as always, is conflict and contrast.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
However, many times, at this low budget level, you will have a first-time director, so you – as the producer, knowing your budget level – will have to oversee the rewrite and script changes to ensure that it can be done for the budget you have in mind.
Suzanne Lyons • Independent Film Producing: The Craft of Low Budget Filmmaking
diegetically,
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
By cutting away at the crisis point, each scene ending requires an explanation, and thus creates curiosity and anticipation, defers gratification and keeps people watching.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
#movies
Valentin Rodriguez • 1 card