Sublime
An inspiration engine for ideas
Olia Lialina
de.wikipedia.orgThe internet has enabled a truly distributed and multidirectional network, in which any node can be a content creator, broadcaster, and consumer. Any two nodes can have a 1:1 relationship; as a whole, the model can be described as many-to-many (M2M). However, despite the possibility of 1:1 relationships between producer-broadcasters and their audie... See more
Toby Shorin • Report: The Diminishing Marginal Value of Aesthetics
post-digital visual culture
sentientglue • 3 cards
Rene Daalder
renedaalder.comCreativity vs Control: Where AI Fits in the Creative Toolbox
podcasts.apple.comTo broaden our view: we must look at image production (and cultural production in general) not just as a specific vocation, but as a novel consumer behavior. The popular Technology Adoption Life Cycle framework proposes that different psychographic consumer segments—early adopters, early majority, late majority, and laggard markets—can be penetrate... See more
Toby Shorin • Report: The Diminishing Marginal Value of Aesthetics
Informação, conhecimento, ação autônoma e big data: continuidade ou revolução? (Portuguese Edition)
amazon.com
My intention then, was to explore the concept of our fleeting attention, influenced by algorithms that use aesthetics to grab our focus. We often find ourselves trapped in media bubbles, momentarily captivated by beauty, only to forget it as soon as it vanishes from our sight.
Andreas Hepp’s formulation of “deep mediatization” points a further way out of determinism. Under this condition, Hepp writes, “all elements of our social world are intricately related to digital media and their underlying infrastructures.”28 If society has become so thoroughly mediated, how could we expect democracy to emerge in not-especially-dem
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