Sublime

Ingrid Sischy was made editor. Her Artforum explored the relationship between high and popular culture, deepened the magazine’s reporting of the local East Village and SoHo art scenes, and broadened its coverage of European art, particularly German postmodern painting.

Ridgeline was closed a large part of the time to new investors, and current partners were often restricted from adding capital. To maintain higher returns, we sometimes even reduced our size by returning capital to partners.

Glenn McDonald,

his feisty