Sublime

MIYAZAKI: Even if the buildings are interesting, the problem is what’s inside. No matter how resourcefully one builds a prison, it is, after all, a prison.

The economic conditions are tough, because the theater hardly functions as a market these days, but I’m not ready to give up … I want to create the sort of film that a young boy sees in a theater and then goes home from so amazed he’s temporarily rendered speechless; he doesn’t say anything to anyone out of fear that he’ll dilute the experience. I