Sublime
An inspiration engine for ideas
There must be the potential for villainy at the beginning in the boy who is going to turn criminal at the end of the play.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
he creates interesting characters, he gives them goals and there’s always urgency.
Carson Reeves • Scriptshadow Secrets (500 Screenwriting Secrets Hidden Inside 50 Great Movies)
Peel dramatizes the boredom through the juxtaposition of images, and in so doing he forces the reader
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
the stronger both sides argue, the more riveting the trial.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
where you have a reason, you have character desire.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
What are the unwatched programmes on your Sky+ but taunting reminders of who we might really like to be?
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
diegetically,
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
posit an idea, explore it, then come to a conclusion that, if the drama is convincing, is proved true.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Russell Davies
@undermanager