Sublime
An inspiration engine for ideas
a flawed, conflicted hero goes on a journey to become whole,
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
The Kuleshov Effect
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
The second act, then, contains its own call to action and crisis that will force our hero to make a choice between their old and new selves.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
ELYSIUM
『デジタル生存競争』を映画化したような作品
I co-wrote a comedy for Sky, although by then James Murdoch had stepped down from BSkyB. Incidentally, if you ‘followed the money’ up the chain of previous TV shows I’ve been involved with, you could arrive at Silvio Berlusconi, a man I once described on TV as ‘an ejaculating penis with a Prime Minister attached to it’. And this book is published b
... See moreCharlie Brooker • I Can Make You Hate
In every scene, remember, a protagonist is presented with a mini crisis, and must make a choice as to how to surmount it. Meeting with a subversion of expectation – a blow to their established plans – a character must choose a new course of action. In doing so they reveal a little bit more of who they are.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Darabont makes all of these men so unbearably evil that we will not rest until we see our hero defeat them.