Sublime
An inspiration engine for ideas
inciting incident blows a seemingly ordered reality into a thousand fragments, then a detective arrives to hunt down the culprits and restore things to their rightful place.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
My favorite quote on writing — and I’ve read thousands — comes from Tony Gilroy, and I don’t believe a truer statement has ever been made regarding my profession . . . “The quality of your writing is absolutely capped at your understanding of human behavior. You will never write above what you know about people.”
Paul Guyot • Kill the Dog: The First Book on Screenwriting to Tell You the Truth
In the first half of every script, the question will be asked: ‘What is the worst consequence of this decision?’ and in the second half the answer will come: ‘This is’.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
protagonists take on the qualities of their adversaries in order to achieve their goal
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
In three-dimensional drama it’s quite common for a protagonist to begin their journey at the end of act one, but not the process of underlying change until the second act turning point
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
a flawed, conflicted hero goes on a journey to become whole,
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
The second turning point is a mini worst point, containing the hardest choice of all.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Their unconscious flaw is brought to the surface, exposed to a new world, acted upon;