Sublime

Good structure will deliver a crisis point that forces the protagonist to choose between their old and new selves.

In the

mimetically,

new ‘call to action’.

all are structured around the build to, and revelation of, the moment that tells us who the protagonists are.

A lot of new writers spend an inordinate amount of time polishing dialogue to try to fix problems, when the problem is much more likely to lie in structure or

the Kuleshov Effect applies equally to dialogue too.

it didn’t survive because it had nothing meaningful to say.