Sublime
An inspiration engine for ideas
The Death of the Middle-Class Musician
thewalrus.ca
Rythm [sic] Syndicate.
John Seabrook • The Song Machine: How to Make a Hit

This is way before the music scene that we see today and the podcast industry that has added huge revenues to audio streaming platforms. Catalogs were the main source of income for these streaming platforms and for labels, while new releases were adding more to losses on the balance sheets than gains.
Sriram Krishnan • Dave Goldberg on music Music
specter.
Paul Kalanithi • When Breath Becomes Air
“Rude Boy”
John Seabrook • The Song Machine: How to Make a Hit
In its variety, the Substack corpus resembles the blogosphere. It is produced by a mix of career journalists, bloggers, specialists, novelists, hobbyists, dabblers, and white-collar professionals looking to plump up their personal brands. The company has tried to recruit high-profile writers, offering (to a select few) health-care stipends, design ... See more
Anna Wiene • Is Substack the Media Future We Want?
Take the music industry, for example. From Napster to the iTunes Music Store and now Spotify, the last two decades look a lot like an exercise in how to use internet platforms to effectively deny income to musicians while extracting maximum value in content and data.