Sublime

Across The Fool , Rossiter isn’t afraid to croon and yowl, to lean into his vibrato until it sounds like he’s on the verge of tears. At points, you can practically hear the flecks of spittle hitting the microphone. Track four, “Rich,” could be construed as tasteless woe-is-me grandstanding, but to me reads as a harrowing account of all the things p

His father, John Jenney, was a horn salesman who, according to family legend, was the basis for Harold Hill in The Music Man, the Broadway musical written by fellow Mason City native and family friend Meredith Willson. That’s why, in later years, Kay often referred to Jack as “the son of the Music Man.”

And proceeded past Trevor Williams, former hunter, seated before the tremendous heap of all the animals he had dispatched in his time: hundreds of deer, thirty-two black bear, three bear cubs, innumerable coons, lynx, foxes, mink, chipmunks, wild turkeys, woodchucks, and cougars; scores of mice and rats, a positive tumble of snakes, hundreds of cow

Jours fastes, vaches grasses, des pages et des pages de manuscrit ; des jours prospères, quelque chose à dire, l’histoire de Vera Rivken à raconter, et la pile de feuillets qui montait et me rendait si heureux. Jours fabuleux, loyer payé, encore cinquante dollars en poche, rien d’autre à faire jour et nuit qu’écrire ou penser à écrire : Ah, la douc

McInerney’s big job now is acting as a custodian for the statue of himself that celebrity has