Sublime

The life that emerges has not always been (it is coming to be) and will not always be. The experience of beauty is therefore a stab in the heart, and he is seized by the desire to hold on to everything that will not last: “Holding on to all the happiness, all the beauty, all the future that resides in everything.” Seized by this desire, he has the

They sat proudly on his shelves as symbols, representing the knowledge that he still

the participants became performers, and the rest of the public could watch them with binoculars, able to take precise note of the tiniest details about them: their slightest movements, their facial expressions, the texture of their skin over a two-hour period. The public was both participating in and witnessing a performance that we were creating t

These paintings taught me about attention and duration, and that what I’ll see depends on how I look, and for how long.

By contrast, a woman’s presence expresses her own attitude to herself, and defines what can and cannot be done to her. Her presence is manifest in her gestures, voice, opinions, expressions, clothes, chosen surroundings, taste – indeed there is nothing she can do which does not contribute to her presence. Presence for a woman is so intrinsic to her

When we ‘see’ a landscape, we situate ourselves in it. If we ‘saw’ the art of the past, we would situate ourselves in history. When we are prevented from seeing it, we are being deprived of the history which belongs to us. Who benefits from this deprivation? In the end, the art of the past is being mystified because a privileged minority is strivin

The interminable present of meaningless working hours is ‘balanced’ by a dreamt future in which imaginary activity replaces the passivity of the moment. In his or her day-dreams the passive worker becomes the active consumer. The working self envies the consuming self.