Sublime

This new approach has become known as the “psychosocial position”. It argues that UFOs themselves are not necessarily a physical, “nuts and bolts” phenomena but may be better classified as psychological or sociological events. This idea has, over the last 40 years or so, divided the UFO research communities. In general terms this is something of a

The Watchers, the djinn and the other egregorial entities we have encountered in this chapter all have one thing in common: they originally existed in the heavens, came down to earth, were defeated or banished by a controlling power, and ended up underground to occasionally enter this world through portals such as caves and sink-holes.

The evidence indicates that UFOs are not “nuts and bolts” craft driven by “flesh and blood” humanoid aliens. They are something quite different. The direct sightings are not the only, or even the most important, aspect; social and cultural circumstances surrounding UFO events must be considered as part of the phenomena. One should examine effects

But it is not known whether the principle obscurely described in the specification was applicable in any way to the invisible agency employed in Psycho.The punch line was that the article was signed "John Algernon Clarke." So the author claimed he was mystified by his own creation and couldn't properly determine whether his own patent was a part of

D’Agostino’s other surviving film is even odder. It is untitled, but usually referred to as The Castle. It is shot on Betamax and the quality is very poor. The camera meanders around various enormous rooms, presumably in different castles or palaces (we cannot be seeing one building; it is simply too vast). The walls are lined with statues and