Sublime

British cultural policy has been hindered by decades of protectionist infighting between opposing special interests (Hewison 1995). Instead we need a more balanced under- standing of the role and worth of the arts in our society – one which simultaneously embraces their aesthetic, cultural, economic and social values, and allows for the differ- ent

The project of feminism is, in part, a method of calling into question ‘the natural’.

it is a mistake to rush to impose the individual ethical responsibility that the corporate structure deflects. This is the temptation of the ethical which, as Žižek has argued, the capitalist system is using in order to protect itself in the wake of the credit crisis – the blame will be put on supposedly pathological individuals, those ‘abusing the

Stronger form

However radical the work, it is radical in relation to the primal

being an artist in any setting is just code for having an alternate value system.