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Pirate Wires Episode 26: Techno-Optimism with Beff Jezos and Balaji Srinivasan
Full episode live on @X
It's @BasedBeffJezos and @balajis with Solana this week discussing Beff's doxx by Forbes, e/acc vs. decels, journalists and the media, artificial intelligence, freedom of speech, compute,... See more
Pirate Wiresx.comInternet writing” has become a category broad enough to mean essentially nothing because the internet is a technology in the same way that a book is a technology. There is an immersive quality to the internet, the Wikipedia rabbit holes and the endless link trees, that the affectless writing that has become the house style of online life fails to... See more
She was tempted to flip them down and see if they could face-rec this Larry and if so find out who his editor was—or more likely what edit stream he subscribed to and what particular flavor of post-reality it was pumping into his mind.
Neal Stephenson • Fall; or, Dodge in Hell: A Novel
The New Yorker Roundup
culture.ghost.io
JT is still more famous, but when he visits Silicon Valley, people ask if he’s Sean Parker.
Peter Thiel, Blake Masters • Zero to One
On the Beauty of the Xerox Machine
nytimes.com
Hungry Minds publishing
global.hungryminds.com
2016 article, agust D
TIDAL Rising: This Week’s 5 Artists To Watch https://t.co/pAXvTfhcTU… https://t.co/t3NWxFVRxo
Music has always adapted to the culture enabled by its dominant format . When radio was king, you needed to grab attention in the first 15 seconds or risk getting skipped. But radio DJs were gatekeepers who could champion unique picks to their taste if they believed in them. When Jay-Z and Kanye West 's “Otis” premiered in 2011, Funkmaster Flex... See more