Sublime

majordomo,

the composer! Lionel Bart, who had a serious drug problem, initially wrote the music for La Strada.

creating this musical about making a work of art was a unique moment for all of us, and in some cases a defining one.

Turtle Bay townhouse

And it comes right out of the scene. That’s the Rodgers and Hammerstein principle for carrying forward a dramatic moment. In this case, George is announcing that he has turned down a commission and that he doesn’t know what to do next.

By then, I’d heard Bernadette speak the role, and the accent suggested to me Harold Arlen. He was a Buffalo boy who kept writing southern-inflected music, and I thought, southern inflection … hey, there’s my favorite composer. And I was off and running.

croquetons—

that it was the eighties and a lot of the crew was doing drugs.